Once Upon A Sweater Vest
As we all know, it’s a rare piece whose maker can say is the best example of all things. Nor should it be, because that’s too much pressure to put on mere mortals with string.
But there are some knitted things which serve as useful examples of certain concepts.
This is one such garment. Flower of Nepal is a little sweater vest I knocked out to wear on tv once, when I learned there are colors and silhouettes that cameras hate. There was little time to spare (surprise) and even less yarn (natch), but lunatic that I am, I elected to knit something new. I used the opportunity/challenge to bang out a vest, with several experimental elements. I didn’t bother to write down any pattern notes, thinking that I wouldn’t need or want to publish the design. Given the unreasonable timeframe (about a week), I would be lucky to get a garment at all, never mind one worthy of the full “pattern-I’m-going-to-sell” treatment.
But it ended up that I quite liked the little vest. Some of the things I tried out on it were successful enough that I began to include it in my sample collection. I only showed it to my steeks students, and usually not on their first introduction to my circus: It’s a little bit thinky for the uninitiated. But for my experienced/returning students (Repeat Offenders), it’s a useful example of some advanced ideas. To wit :
The power of knitted hems to both display repeated motifs and add structure to an otherwise simple shape
The magic of shaping adjacent to cuts in knitted fabric (a cornerstone of my Shapely, Sexy Steeks class)
What happens when sock yarn can becomes a garment, with certain yarn characteristics accounted/adjusted for
A funny thing happened when the students got to play with it: They touched it, they tried it on, they liked its simplicity and ingenuity. They wanted the pattern. And by “wanted” I mean “suggested assertively that I get busy and make it happen, already”. I tried to argue that there were enough things I didn’t like about the vest that it wasn’t appropriate for public consumption. That while a useful example for class, it had elements which limit its knitability/wearability/appeal, and would have to be completely reworked. That its stash-dive yarn combo could not be reliably replicated by knitters.
My protestations were dismissed.
After a few repetitions of this exercise, I understood that resistance is futile. Like everything in knitting, it only hurts worse if you struggle. I pledged to rework the whole design, not just as a canvas for techniques, but as a carefully crafted and sized garment. One that would be both fun to knit and beautiful to wear. In short, one that is worthy of my knitters.
But the yarn problem remained: How could I replicate the strange and unusual color combination? What yarnmaker would sign up for such folly?
Enter the lovely and talented Kerry Graber of Jorstad Creek. Without trepidation, she took my little vest to her studio and worked all manner of magic. She chose the perfect base, and waved her wand over simmering cauldrons of color until she manifested this:
Did you ever? Me neither. Stunning doesn’t begin to describe it.
Once I had these gorgeous jewels in hand, I set about reworking the design. Stay tuned to see the process of how I reverse-engineered my creation for you, Gentle Readers. I think you’ll enjoy the ride.
