But Wait! You Also Get:

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Abstract Fiber Supersock, in "Bonfire".  Yeah, Baby!

Yesterday I met Susan Stambaugh at her studio to show her the Desert Rain, and to continue sorting our cunning plan for Sock Summit.  What a field trip!  Her studio is a wonderland of color, in all different stages of preparation.  I could have spent the entire day peppering her with questions about the dye process.  She's also a wicked-cool spinner, which could easily have taken up another day.  But back to the above: we decided to make a second Desert Rain in this color, just because.  I am so besotted with this yarn that I can't even tell you.  I, who never knit the same thing twice (in fact, I'm usually in hate with my projects when I first finish them - there has to be a cooling period before I love them again) cannot WAIT to make this camisole a second time.  There is something addictive about it - the lace is so easy and accumulates so quickly - it's really hard to put down.  You are going to love this thing.

And here's the really big news:  You will be able to buy Desert Rain in KIT FORM!  That's right: the yarn, pattern, beads and ribbon, all conveniently pulled together for you in a ready-to-rumble package!  I just love a good kit - All the decisions have been made for you; just add needles.

So this week is all about patterns for me:  I'm in the final stages of formatting the new Sommelier (which you will be seeing soon), I threw together Desert Rain for tech editing, I'm in full-throttle sample-making on Juliette (which you will see in Cast-On this winter), I'm ramping up for the Frog Prince Cardigan (which I want you to have in September), and I'm toying with a big fat idea for a pattern that will be good for handspun, with instructions for different gauges and sizes.  My head is as full as a sack full of cats.  And similarly well-organized.  This weekend is the trip to Oregon wine country for the Sommelier photo shoot.  There will be real models and makeup and everything.  I have declared that we will have fun, and we all get paid in wine.  When you are the boss and also all of the employees, you can make sweeping proclamations like that.

Thus Spoke The Queen.
 

Rain in the Desert

You might remember my telling you a few posts back about meeting the lovely and talented Susan Stambaugh of Abstract Fiber at the TKGA show here in Portland.  It turns out that Susan has been working her handpainted magic right here in my own back yard all along.  She lives in Portland, too, and I drive right past her studio all the time.  Together we hatched a cunning plan, whereby there would be a new pattern that uses her yarn available for you at Sock Summit.  As an esteemed vendor at the big show, Susan will have the yarn and the pattern available for your knitting delight!  Both will be available online, too, so you won't miss out if you can't make it to Portland this year.

Let me tell you about making Desert Rain:  I was thinking about something I might be inclined to knit in August, when it's hot even here in the Pacific Northwest.  I knew I didn't want it to be socks, since this yarn is already supported nicely in that department..  And my rebellious nature prohibits me from making socks for Sock Summit.  Plus, I liked the painting on this yarn so much that I decided it needed some acreage in which to show off - an i-pod cover was not going to be large enough to showcase its gorgeous colors. 

All of these thoughts tore through my mind before I even left Susan's booth at TKGA.  I was carrying (okay, I may have clutched it protectively to my chest) my 2 perfect skeins and daydreaming a million things about what it wanted to be when I bumped (literally - I have the shin bruise to prove it) into the booth next door.  They had buttons, baubles and beads galore.  And they had the singular shade of blue you see above, which naturally came straight home with me.  I have never knitted with beads before this project: What A Hoot!  It is so much fun, and adds just the right texture and sparkle.

Once I had those beads, everything seemed to click into place, and I had the sample done in a week.  Dontcha just love a fast knit?  The lace pattern is fun, the beads are sparkly, and the ribbon adds just the right finish.  And here's the best part: this is some really good yarn.  There are beautiful, temperamental yarns.  There are some yarns that are easy-going and compliant, but not superstar pretty.  SuperSock has the best of both worlds.  Sproingy, snagless, and well-behaved; it also has the perfect pearly sheen to highlight Susan's gorgeous painting.  But that's enough talking - time to get to the Eye Candy:

This is only a little snapshot I grabbed as I flew out the door.  Wait till you see it in the light of day.  It comes in sizes 32"-52", and probably fits more than that, knit with negative ease, as it is.  Lace is so forgiving and so flattering - no wonder we love it so.  Check out the drape and swish on this baby - Sassy, No?

So that's Desert Rain, in progress to publication.  A project that designed itself: no gut-wrenching frogging, no lost skeins, no kitchen fires.  Hardly seems like I worked at all. Oh man, I love my job.
 

Outlaw

Once upon a time I designed a swell little camisole.  It had everything: fun to knit, flattering on lots of shapes, inexpensive, accessible in every way.  I proposed to some delightful yarny-type people who make magazines that they should let me create it for their publication.  They promised to get back to me, as the yarny people do, and I promptly forgot all about the whole thing.  And when I say "forgot", I mean complete cognitive dismissal.  Something caught fire, or I saw something shiny, or the global economy face-planted - some small distraction pulled my focus, and on I rolled, completely abandoning thoughts of the lacy confection I had concocted in my head.  Never mind that I had immortalized the swatch by pinning it up on the cork board above my desk.  Even though the physical representation of the idea was right there in front of me, the concept was intellectually unavailable for some reason.  Like it never even happened.

Flash forward several months (or minutes - could have been either, really), and the delightful yarny-people contacted me.  Yes, they said, we would like you to create that thing you made up for us.  Yes, they said, we will publish it in our fine magazine.  Yes, they said, we even like the yarn you swatched it in, so please make the design and send it to us one fine day in July. 

Bearing the fiscal component that it does, this information cut quickly to the front of the line of notions waiting for my contemplation.  Oh yes!  I thought, the sweet little camisole!  That will be really fun, and I have the yarn right here in my stash!  I found the yarn with a minimum of hassle.  I returned to the page in my notebook where I had stored all the pertinent information about making this design, should I be invited to do so.  There it all was:  yarn, guage, needle size, sketches, even ideas for notions.  And I somehow managed to notice the swatch again, hanging patiently as it had been all along, there above my desk.  And that's when the wheels fell off my wagon.

Which book did that stitch pattern come from, anyway?  Not in my notes.  No little tag tied cunningly to the swatch for future (the future is now, by the way) reference.  I had left myself nary a breadcrumb to guide me back to the #$%U@*! stitch dictionary where I found that little lace pattern.  No memory of its origin.  Think Harder, I commanded myself.  Nothing.  No trace of the process I used to make that string turn into a little square of lace.  Total creative amnesia.

There are times, when some little quest takes me back to my books, which are so reinvigorating.  Being immersed in my life's collection of important knitting information is comforting, inspiring, and affirming.  There are times when the pages of these books that I know by heart are like short visits with dear friends.  Like hearing favorite songs I forgot how much I loved.

Yesterday afternoon was not one of those times.

Yesterday afternoon was more like scorched earth.  I stacked books.  I racked brains.  I searched in vain.  I chased my own tail.  Nothing and Nowhere contained my long lost lace pattern.  A lace pattern I forgot existed until yesterday morning, for a project whose existence I would not have remembered ten minutes before that.  Now it was the most important information in the world, and only because I knew it was there someplace, but not any of the places I could think of to look.

About three hours into my ransack of the book collection, it dawned on me that my time might be better served if I turned my attention back to the lowly little swatch.  I have knit it once already, for pity's sake.  How hard could it be to reverse-engineer the damn thing?  Do I have graph paper?  Check.  Do I have a pencil? Negative.  Can a Smally locate one for me?  Check.  Bright light, glasses on, knitting needle to point at the stitches as I count them; Check, Check, Check.

45 Minutes.  I actually timed it, and it took 45 minutes to re-draw a little chart from my existing swatch and knit a sample from it that looks enough like the original to fool its mother.  Situation Sorted.  So why did I go through the knitting library like a social disease through a bordello?  Not  sure.  I suppose we creatures of habit only know to do things in the way that we have done them before:  There was no reason to trust my ability to reverse-engineer the pattern because I hadn't done it that way last time.  I was blinded by the notion that I needed the book where that pattern originated in order to move forward.  For all I know, I changed the pattern drastically from its source when I made the swatch in the first place, making the original version unrecognizable when I did find it.  But it took me three hours to get past the failure of step 1: locate pattern, and envision step 2: re-create pattern.

Note to self:  Include information about stitch pattern origin in design notes when submitting proposals. 

Additional note to self:  Restore order to knitting library carnage.