Tell Me a Story

A few posts back, I hinted that a contest was coming.  Today's the day, Gentle Readers!  First, The Prize:
 

Your very own autographed copy of my big fat new book:  304 pages of colorful goodness; All for You.

Now, The Contest:

Make up a story containing references to these 5 objects:  A paperweight, A sock-in-progress, a pink rose, a bottle of purple fountain pen ink, and a set of 10 sparkly antique buttons.

Your story can be any length, in any format (Limerick? Mystery Thriller? Romance? Haiku?).

Only 2 rules apply:

        1.    You must reference all 5 of the objects pictured above.
        2.    You have to send me your story by 12:00 Noon PST on Tuesday, May 29, 2012.

Please put "Tell Me A Story" in the subject line of your entry, and e-mail it to me at mary@maryscotthuff.com.

With permission of the author, the winning story will be a featured Post, right here on this very Blog!  I can't wait to see what you Clever Beasties come up with...

You Cannot Make This Stuff Up

So there I was, knocked unconscious by a dose of Ny-Quil.  The nasty cold I've been trying not to get finally sucker-punched me, and the medicine was my last resort.  I was sleeping.  In my bed.  Which is how I know that none of what happened was my fault.  Oh sure, it could be argued that some of my past behavior could warrant a backlash from the Knitting Gods (Smugly challenging them to come and get me during a Steeks class? Guilty.), but this was beyond even their capacity.

Around 3AM Phillip woke me up and asked if I knew where the dogs were.  Yes. Of course I know where the dogs are; it's 3AM and I've been in an antihistamine coma for 4 hours.  Pretty sure I don't even know where I am.  For that matter, you aren't looking especially familiar.

Phillip crossed the hall to Lindsay's room.  "Baby, are the dogs in here with you?" Still-sleeping Lindsay replied "There are no dogs in here and you are annoying."  Apple doesn't fall far from the tree.

I heard Phillip go downstairs and open the front door.  I heard two dogs come inside.  Phillip plopped them, one by one, onto our bed, where they usually sleep.  Through the dull fog I registered that something was Not Quite Right, before the cold medicine dragged me under again.  I went down like a prizefighter.

Flash forward to 7:30 that morning.  The fog in my head had been replaced by the shrieking pain of the sinus infection.  One Scottish Terrier was next to me, curled up serenely on Phillip's pillow.  The other one was sacked out on his back, adjacent to my thigh.  And the something that was Not Quite Right several hours ago now came sharply into focus:  Both dogs were covered with mud.  And they were sleeping on my white, monogrammed sheets.  And there was a bizarre prickling sensation all up and down my leg.  And my arms.  And my hands.  Closer inspection revealed that the mud was not really mud, but the finely-ground bark mulch the landscapers had just replenished, all up and down our block.

So even though I went to bed with nothing worse than a bad cold, I woke up in a Medieval torture chamber, covered from head to toe in bark dust splinters, and wet dog detritus.

I asked Phillip (perhaps somewhat forcefully) what the &#$^(@! he was thinking when he put wet, barkdust-covered dogs in our bed?

"I didn't notice - it was the middle of the night."

So all (and I mean ALL) of yesterday was devoted to bark removal.  From the bedding.  From the carpet.  From the dog's fur (full baths and haircuts required). And from my skin.  You would not believe how deeply imbedded Douglas Fir splinters can get when you sleep on them.  And in what places they can imbed.

So how, you might reasonably ask (I know I did), do two spoiled-brat marshmallow-butt indorsy small dogs get outside in the middle of the night to roll in the barkdust in the first place?  One Word:

MacTarnahan.  He can open the front door from the outside (it's a thumb-latch, rather than a knob).  I've actually seen him do it.  I'm sure he was hoping the dogs would be too dumb to find their way back home, or if they did, be in big trouble with the people.  Either way, it's a Win for the Cat.

I know that someday this will be really funny to me.  It's the sort of thing that only happens at my house.  Someday, I will wonder what's funnier; the cat outsmarting/punishing all of us, or the fact that Phillip can pick up a soaking wet dog who has been Panko-breaded in bark mulch, without noticing it.

Today is not that day.  Today I'm still removing splinters from my ass.
 

In Praise of Vanilla

In further support of my newfound (obsession) exploration of toe-up socks, I stash-dived a couple of skeins of inexpensive craft-store yarn I thought would be okay to experiment with.  I banged these out over the weekend, and thought myself fairly clever for it.  I'm finally starting to get my head around why people say that socks are such a wonderful canvas for exploring stitch patterns.  I know: Duh.  Call me a slow learner.  Chevrons! and Twisted Stitches!  On socks!  Your indulgence is appreciated.

I really enjoyed making these.  And the finished socks are a delightful super-fine weight - as in, they can be worn with any shoes, not just clogs or Birkenstocks.  Which got me thinking:  It was time ro revisit my roots, and say hello to some old friends, yarn-wise.

As a lucky-pants knitting designer, I'm now in a position to request yarn from the people who make it, and have them send it to me.  The color, amount, and type are up to me to choose, from pretty much anyplace I can think of - mine for the asking.  But this wasn't always the case.  And it hasn't been very long since then.  Spending time with this simple, unpretentious yarn reminded me of whence I came, yarn wise, and recalled some hard and important lessons I learned when I started out as a designer.

Before I made friends with yarn companies, I was dirt freaking poor of limited fiscal resources, where my knitting budget was concerned.  I had to learn how to work with what I could afford, which yielded extremely variable results.  One notable low was a short-lived mania for recycling thrift store sweaters.  Without so much as a niddy-noddy to make skeins with.  Again, the results were mixed, at best.  At worst, they were frustrating, and even smelly.

I turned to readily-available craft store yarns, which were at least new, if not luxurious.  And you know what?  They really worked just fine.  There is a reason these mass-produced yarns are sold everywhere, including the store where you get your groceries and your motor oil.  I learned that as long as I stuck to fiber content I could easily pronounce, I could make good knitting with some of them. 

Now that I am blessed with the luxury of working with gorgeous artisanal skeins, it was good for me to be reminded of some simpler ones.  I came up with a short list of the favorite yarns from my old days.  These are honest, unpretentious skeins.  They have short ingredient lists, but long yardage.  They have limited palettes, but reliable performance.  Are they heirloom quality? No way.  But then, not everything I knit is (or should be) an heirloom.  Sometimes I just want to grab a skein of something non-cherished to practice on.  And when I'm less emotionally connected to the yarn, some surprising things have happened with my knitting.  Turns out if I'm not treating some perfect skein of cashmere with all the reverence it deserves, I'm a whole lot more likely to create something daring and new.  If I'm going to gut and rework the same stupid armhole shaping five times, I don't want to do it with yarn that's fancy.  Just something serviceable, and well, vanilla.

Herewith, I salute my favorite craft-store yarns: Cheap and Cheerful, and Ready to Serve:

The aforementioned sock yarn.  It comes in cream, black, and a host of engineered stripes that look like the inside of a goat's stomach.  I have no idea what the Aloe thing is about, but the 75% wool, 25% nylon blend is positively utilitarian.  I have a pair of socks in one of the intestinal colorways that I swear are 11 years old.

Ahh, Good old Patons Classic Wool.  Knitting with this yarn is like having coffee with an old friend; There's almost no mindset it can't improve.  Smooth, elastic, and reliable.  Cable it, strand it, felt it.  It does everything Cascade 220 can do, only backwards, and in heels.  And the colors aren't bad either, once you get past the scary variegated ones.  This is the stalwart I turn to when I have a bona fide knitting emergency, and can't even wait for the shipping of something else.  I don't know about you, but a fit of startitis can strike at any time - I actually try to keep a sweater's worth on hand in case of Sudden Inspiration/The Apocalypse/Early Craft Store Closing Time.

And while I'm lovin' on the Canadian yarns, let's not forget this little gem.  The colors are actually very pretty (well, the solids, anyway - the multis are somewhat on the cat-vomit side of things).  I don't know what causes a cotton to be "mercerized", but Patons Grace has a gorgeous pearly luster that other cotton yarns lack.  When I think of summer knitting, this is the yarn I think of first.  Super-pretty for lace, and the delicate gauge keeps things from getting too heavy.  It's also the perfect waste yarn, because it never sticks to the stitches you're holding with it, or breaks if you have to get rough.

I'd be a fool not to love Lion Brand Fishermen's Wool.  Its gauge is listed as worsted, but I've pressed it into service as a DK before, and loved the result.  The colors are absolutely gorgeous, all 7 of them, because they are all the natural colors of sheep.  And sheep, as we all know, are extremely snappy dressers (though not great at accessorizing).  And let's not forget the absolutely staggering yardage on one of these skeins, at 465 yds!

Probably the weirdest yarn on my favorites list, Kashmira (there is nothing cashmere-like about it, by the way) comes from Turkey, by way of JoAnn fabrics.  It's always on sale.  It only comes is black, white, sometimes red, and a truly heinous multi of green, white and black, which should be avoided at all costs.  It's sold as a worsted weight, but it's not.  It's a true DK, with - get this - 10 plies, twisted almost horizontally.  That crazy twist gives it the most incredible sproing, while the superfine plies make it Uber-smooth.  Perfect for colorwork (if you don't mind dyeing your own colors).  It also has crazy-generous yardage, at 284 yds per skein.  Get yourself a pile to keep in the bomb shelter.

The great thing about vanilla yarns is that you can keep them on hand, in amounts that prevent you from being precious with them.  All painters need canvas.  I encourage you to stock up, with impunity.  Especially if it's on sale.  Then you can be twice as smug.

Now you tell me:  What's YOUR favorite flavor of Vanilla?