Boy Next Door

The house I lived in when I was a child (indeed, I lived there from birth until I grew up and left home for good, returning three summers ago to clean it out and close it up when my Mom finally downsized) was situated on a cul-de-sac.  The neighborhood kids called it "the circle", which it was, open only at one end for cars who knew where they were to come home, and cars who didn't to turn around and sort themselves out.

The circle was planted all around with ornamental cherry trees, which bloomed every year on my birthday.  The houses around the circle were classic mid-century tract, all variations on the same split-level theme, built with pride in the 1950s.  My family moved into ours in 1968, two years before my birth, when the service men had long been home, and the babies had long since boomed.  

The other houses on the circle had kids in them, too.  Stuart and Steve were much older, teenagers already, as was their younger sister Jessica.  Their youngest brother, Robbie, though, was our unofficial ringleader.  He had an air of worldliness and devil-may-care.  Something of the rebel was Robbie.  The kind of kid who could teach you to smoke and swear, but never get caught doing either himself.  My best girlfriend Debbie and her little brother moved away sometime around my 7th summer, and they were replaced by three brothers: Ron, Mike and Jeff.  Ron was the oldest, and had a crush on my sister Susie.  Mike slept a lot, as I recall, and Jeff, the youngest, was the apple of his mother's eye and an allaround pain in the ass to the rest of us.  In my house were David, Carolyn, Susie and me, our oldest brother Bill being away at college.  And on the other side of my house lived Todd, Shelly and Mikel.  They had it all, these three:  Their parents looked like Barbie and Ken (their dad actually named Ken, if you can believe it).  Their house had a pool.  Their cars were always a good 2 years newer than anybody elses.  Even their dog, Ralphie, had a cuter name than most.Mikel was the same age as me.  We had lots of other things in common, too:  both the youngest of the family, both non-athletic and kind of awkward.  Both of us liked words, and practical jokes, and any sort of torture we could inflict on older siblings.  When it snowed, Mikel and I were always the first out to the circle for the rare joy of wintertime snow.  When the cherry trees bloomed, we took turns climbing them and shaking the branches to make pink petal snow fall on each other.

The year Mikel and I were nine, we both experienced the implosion of a small universe that is the rule when your parents divorce.  In 1979, the "ME" generation hit its full, self-centered stride, and both our sets of parents split within the same year.  It meant that both our moms went off to work, and Mikel and I both became latchkey kids, at the mercy of our older (extremely resentful) siblings from the end of the schoolday to the exhausted return from work of our single mothers.  I seem to remember more than one time when Mikel and I both rode our bikes around and around the circle, not saying much to each other.  You could hear the yelling from inside one or both of our houses, and you knew that out here was better than in there, and it didn't matter why.  Maybe we would have preferred to be alone.  Maybe it was comforting that we weren't.

Mikel and I went on to middle school, then high school, taking each other's presence for granted in a way that we could not have done with our parents.  Through all my childhood upheaval, boredom, and personal evolution, Mikel was the Boy Next Door.  In high school, we had more in common than ever before, both falling into the same group of friends when we each discovered Drama Club.  I got to be on stage with Mikel a lot, and will consider him forever the most gifted comedian of his age.  His talent was instantly recognisable, his brand of obtuse humor rooted in his deep intelligence and gentle, loving soul.After graduation, I left the circle for New York City to study acting.  Mikel went to Alaska to seek his fortune fishing.  Mikel's Mom sold the house on the circle not long after that, and the Boy Next Door and I drifted off on our separate adventures. 

In a strange coincidence, Mikel attended the same community college as Phillip for a time, while I was away at school.  Phillip remembers with out-loud guffaws the times he found himself onstage with Mikel. 

The Boy Next Door, and all the things we shared, are now inalterable pieces of who I have become.  We got separated by time and distance, and the pursuit of happiness which neither of us had handed to us as kids.  I found a lot of happiness, and I know that a soul as sweet as Mikel must have done the same.

The world lost Mikel about a week ago.  In a bizarre twist, I heard that he had been moved from the hospital to his mom's house, not very far from the city where I live, and all his friends were invited to come to him, and say goodbye.

I couldn't go.  I couldn't bear to admit he wouldn't still be out there, somewhere, riding his bike around in circles, in case I ever needed to do it, too.  To sit by him and hold his hand and tell him what his being there meant to my childhood was more than I could bear.  To say goodbye to a talent like Mikel and thank him for every time he ever made me laugh required more spine than I have.  I know he would forgive me for that selfishness, because that's the kind of person he was.  I also know he would have wanted me to forgive myself, as well.

To say that his going is a cruel loss to his family and everyone who loved him is the most pitiful of understatements.  To say that he changed the lives of every soul he touched is, too.  However true they are, platitudes do not help those of us whom he left behind.  Mikel deserved to turn 40 next year.  To have his own theatre company.  To go on improving the travel experience of all his fellow adventurers.  And we all deserved to watch him do it.  The unfairness of a world without Mikel in it to point out what's funny, is indescribable. 

I wish everyone could have a Boy Next Door.

Mikel Anthony Boire, 1970-2009

Mikel Anthony Boire, 1970-2009

Step Into My Parlor

Welcome to my little corner of the knitting universe.  And I do mean little corner.  And yes, before you ask, I did begin life as a quilter (one of my Amish interpretations in the stairwell against which my "office" rests.  Small world, no?

My blog, my book, and all my knitting work happen here, in less than 70 square feet that I claimed for my own, between the front door and the dining room.  No room for a legitimate workspace?  Ha!  I laugh at cramped quarters!  A bucket of paint and a trip to Ikea, financed by my first published knitting pattern were all it took.  It wasn't that I couldn't work at the dining room table.  I'd been making it work just any old way for years.  No, the real reason I needed a workspace to call my own was to legitimize my pursuit in the eyes of the others in my home.  Or so I thought.  Little did I know that I was the one who really needed convincing.  You see, dedicating 70 square feet of my home to my pursuit of art both validated and elevated the time I spend working at it. 

My workspace coexists happily with my family living room and consists of three distinct zones.  First is the Office:
 

My desk, surrounded by tack boards and baskets of, what else? YARN!  Notice how the simple act of painting the wall behind my desk delineates the space and makes it special?

My desk, surrounded by tack boards and baskets of, what else? YARN!  Notice how the simple act of painting the wall behind my desk delineates the space and makes it special?

My most-often referenced books, patterns and materials all live near where I write.  On the top shelf is Woody, my artist's model, sporting a miniature gansey I made in class, as well as a wee hat.  Woody provides the constant supervision …

My most-often referenced books, patterns and materials all live near where I write.  On the top shelf is Woody, my artist's model, sporting a miniature gansey I made in class, as well as a wee hat.  Woody provides the constant supervision required by my kind of behavior.

Here's a closer look at my desk.  Swatches, postcards, buttons I love, and other inspirational ephemera are all here in a rotating display that keeps me inspired, or at least tenacious.  In the foreground is some artwork from my book,…

Here's a closer look at my desk.  Swatches, postcards, buttons I love, and other inspirational ephemera are all here in a rotating display that keeps me inspired, or at least tenacious.  In the foreground is some artwork from my book, The New Stranded Colorwork

My second work zone is for knitting, and it's across from my desk in the living room.  This is my favorite place to knit, and where the rubber meets the road for every design:  All my samples are made right here, by me.  I knit here in my favorite chair with a good light, while my family watch TV, play games and read books.  I'd love an office with a door someday, but I'm sure I'd miss all the action of the living room.  

My knitting chair, with the Frog Prince in progress.  The lion's share of my yarn stash lives in the bookcase in the background, inside pull-out bins.  The Knot Garden cardigan is also in progress here, hanging from a bin.  Do yoursel…

My knitting chair, with the Frog Prince in progress.  The lion's share of my yarn stash lives in the bookcase in the background, inside pull-out bins.  The Knot Garden cardigan is also in progress here, hanging from a bin.  Do yourself the favor of a decent light wherever you like to work:  Mine is the finest that $12 can buy, and serves me perfectly.

The last work zone was added when my sample knitting went thermonuclear.  I invested in some yarn management tools, which have greatly improved my life, and those of my family (who are no longer required to hold my skeins while I wind them)  The wheel was added this spring, when I took up spinning.  

My Lendrum DT wheel, personalized with a favorite verse.  The chair is borrowed from the dining room.  Really uncomfortable, and slated for replacement.  Everything is a work in progress.

My Lendrum DT wheel, personalized with a favorite verse.  The chair is borrowed from the dining room.  Really uncomfortable, and slated for replacement.  Everything is a work in progress.

And back to the desk, where I'm sitting right now, to complete our tour.

 One large cork board wouldn't fit the triangular stair wall, so I improvised this set of four small ones from craft-store cork squares and bargain-bin frames.  My sister added the words "Dream", "Imagine" and "Believe" to my cork boa…

 One large cork board wouldn't fit the triangular stair wall, so I improvised this set of four small ones from craft-store cork squares and bargain-bin frames.  My sister added the words "Dream", "Imagine" and "Believe" to my cork board arrangement as a special message. 

If you have ever thought that your "hobby" doesn't warrant a physical space of its own, I challenge you to devote whatever you can to just yourself and your art.  One corner of one shelf.  One drawer.  Claim it in the name of your craft, like a flag on a mountain top, and see if you don't start to take yourself a little more seriously.  You are worth it, and so is your beautiful work. 

Come back to my parlour soon.  I'll put the kettle on.
 

Seeking Patience, and Something Unusual


I'm slogging away at the Frog Prince.  Still.  Again.  Would you believe that I still don't love it and I gutted it again?  Broke my heart, but there it is.  I just want it how I want it, and the wise words of one of the Faery Ring knitters came back to me:  "I have never regretted tearing something out to make it right, but I have often been disappointed when I didn't".  Hard to argue with that.  And the thought of knitters at my door with torches and pitchforks is always added incentive. 

My frustration is nearly complete, but I'm trying to keep in mind the old adage: "Be patient, God isn't finished with me yet".  Applies so well to knitters and knitting.

Your kind words and enthusiasm, Gentle Readers, have been such inspiration for me to attack the Knot Garden again:

Here is the second sleeve, begun with a nice bit of the knot garden cable business for a cuff.  I'll turn it sideways and knit up for the rest of the sleeve.  Wonder how come I always like cables better turned sideways?  Same disorder that causes me to color outside the lines, no doubt.  Working on this is a welcome distraction when I get a gut full of the Frog.

And now for Something Unusual:  

Friends of the blog Interweave Press  have invited me to take part in a virtual Tour of Studios.  This event will be held this Saturday, October 3.  Click the magazine cover above to follow the link this weekend, and you can take in the sights, which include the work digs of many different designers.  I don't know about you, but the physical spaces in which creativity happens fascinate me.  My little corner of the design world will be on the tour, so you can see where all the magic (and sniveling) happens.  I can't wait to see where other designers work.  I'm particularly interested to learn if many others have tiny little areas, like me.  My office is actually in the hallway which joins my foyer to my dining room - barely even qualifies as a hallway - and occupies less than 70 square feet.  I long for a real room with a door, but for the time being, this little space suits me well.  Once I carved it out, I was really surprised how popular it became with the rest of my family:  I usually have to shoo one or more smallies out of the way to do my thing.

In the meantime, if anyone needs me, I'll be in the corner, muttering curses on a frog.