Stuck

Every single one of the following problems is my own fault.  I know it.  Which is why I want to be very clear:  I'm Not Complaining.  Complaining is for weenies, and gets you nowhere, and  as everybody knows, There's No Crying in Knitting.  So I'm Not Complaining.  Issues about which I am Not Complaining, in no particular order, are:

1.    I need three more colors of yarn to go any further on my Super-Juicy new Color Theory class project.  I ordered all the right colors to make a yarn color wheel.  And when they arrived, three of them were not at all right.  Not even close.  Wrong-a-Palooza.  So I had to order three replacements (whose rightness I am now also beginning to doubt), and they aren't here yet.  I tried to get started on the project, thinking that 9 out of 12 colors ought to be enough to do something with, but stunningly, when 2 of the missing colors are primaries, the wagon finds the mud pretty fast.  Lucky for me I'm a patient soul who waits happily.  Not.  But, I'm Not Complaining.

2.    I made a sock.  And it's so sexy I'm just dying to show it to you.  In fact, it's so fabulous that I'm absolutely chomping at the bit to start the second one, a phenomenon which has occurred approximately NEVER.  I do not have enough yarn for the second sock.  The dreamy stringmaker who gave it to me will absolutely make more.  I know it.  But I don't know when.  Not today.  The wagon sinks deeper, though I'm still Not Complaining.

3.    The Frog Prince is a black sweater.  The sun is bright, and my eyes are (sorta) sharp, but stockinette on size 2's is something best done in a series of small sprints, rather than a marathon.  My enthusiasm for the re-manufacture of this piece is waning.  The wagon has slowed appreciably.  A weaker knitter might moan and groan that there's nothing else to work on besides boring black stockinette.  But that would be Complaining.  Which I'm Not.

4.    Everybody talks about the weather, but nobody does anything about it.  I HATE hot.  Which is why I live in a temperate rainforest, where it slobbers with rain at around 40 degrees, for about 11 months of every year.  This is the 12th month.  My living room has become the surface of the sun.  All forward wagon momentum has ceased, while we sit around watching each other dehydrate.  No one has slept in days, which has the four members of family Huff somewhat cross.  And by "Somewhat Cross", I mean that I am considering eating my young, and they have hinted that they would welcome the distraction.  Their father has fled to the air-conditioned comfort of a temporary summer job, and the company of adult associates.  Lucky Bastard.  But I'm Not Complaining.

Clearly what's needed here is a different wagon.  Or less mud.  I'm going to take another whack at the color theory project; maybe design the class flyer while the yarn makes its way to me.  And I'm going to write the pattern for the sock while the yarn for its mate is being born, knowing that whenever it arrives will be the perfect time to make the second sock.  As for the frog, I'm going to try working on it somewhere else (frozen foods section of the grocery?) to see if the change in scenery revives my enthusiasm.  Which leaves only the snarling masses of my family to sort out.  Obviously, I'm going to have to eat them.  I'm sure I'll miss them when they're gone, but I promise I won't Complain.
 

I'm So Happy You Asked

I made some cuffs for the Frog Prince:
 

And while I did that, I pondered Silkie Van Tassel's excellent question:  "If you were spinning yarn for colorwork, would you make 2-ply or 3-ply?"

It gives me the opportunity to mount my very favorite soapbox:  "Not All Stranded Colorwork Is Fair Isle".

My answer to Silkie is Yes.  The number of plies I'd make would depend on the project, and the effect I was hoping to achieve.  Here's an exerpt from Teach Yourself Visually Color Knitting to explain more:

2-ply yarns are twisted together in the reverse direction from which their individual strands are spun.  Opposing the twist energy of two strands causes a yarn to be balanced.  2-ply yarns are known for the minuscule shadows created by their opposed strands.  Fair Isle knitters have long prized 2-ply yarns for this unique characteristic.  The tiny shadows cast by two opposing plies are part of what gives traditional Fair Isle stranded colorwork its special look.  The thousands of ply shadows soften and blend its many intricate color changes.

Photo by VirtualYarns

Photo by VirtualYarns

Three individually spun strands twisted together in the reverse direction from their spin are called a 3-ply yarn.  Three strands together have a rounded cross-section, and the tiny shadows of their plies are much less visible than in 2-ply.  Three strands make for a cohesive yarn with great strength and resistance to abrasion.  3-ply yarn offers superior stitch definition - a huge advantage when you want to knit crisp, clear motifs.  Well-defined stitches also highlight and enhance the contrast between colors.
 

Photo by Grumperina

Photo by Grumperina

All of which is a long answer for a short question:  Are you knitting Fair Isle, Scandinavian, or something totally else?  All stranded colorwork is not the same, so neither should its yarns be.  Vive La Difference!

Is This Thing On?

Is This.jpg

Last week I had a great time chatting with Kelley Petkun on the Knit Picks Podcast.  We talked at length about my new book, Teach Yourself Visually Color Knitting.  If you have a few minutes to spend thinking about knitting today, kick back and listen to our chat HERE.

Discussing each chapter in the book reminded me all over again how proud I am of this work, and how much I enjoyed doing it. 

Just for fun, after you've heard the interview, why not come up with your own interview question for me?  What would you, Gentle Readers, like to know about Color Knitting? You know I love hearing what's on your minds.  Post your query in the comments, and I'll fire back answers on Wednesday!